folkartwork

Center Medallion (2017) // Corduroy and denim; 90 x 78 inches

via Souls Grown Deep Foundation

The way we used to quilt them, it ain’t the way we do it now. I have horses now, but we had the frame; we had four frames, one on each side of the room; tied it up to the rafters. When we got ready to use the frames, we untied them and eased them down to the level we going to sit down to quilt at. When you done for the day, you hash it back up to the rafters. Nellie and Mary Lisa, they quilted with us, too, right in the same room. Piecing them up, you do that by yourself; but quilting, we all did it together. The first quilt I made on my own, I was fourteen. It was a “Nine Patch” quilt. I been kept making quilts ever since then.

Rita mae pettway via souls grown deep

The residents of Gee’s Bend, Alabama, are direct descendants of the enslaved people who worked the cotton plantation established in 1816 by Joseph Gee. After the Civil War, their ancestors remained on the plantation working as sharecroppers. In the 1930s, the price of cotton fell, and the community faced ruin. As part of its Depression-era intervention, the Federal Government purchased ten thousand acres of the former plantation and provided loans enabling residents to acquire and farm the land formerly worked by their ancestors. Unlike the residents of other tenant com­munities, who could be forced by economic circumstances to move—or who were sometimes evicted in retaliation for their efforts to achieve civil rights—the people of the Bend could retain their land and homes. Cultural tradi­tions like quiltmaking were nourished by these continuities.

Souls Grown Deep Foundation